Policy
Everything started with our great-grandfather “Goro Saimura ”.
He is one of only five people in the history of Kendo to have been awarded the 10th dan.
He was born in Fukuoka Prefecture, trained as a first term student at the Dai Nihon Butokukai martial arts teacher training school, and worked for many institutions before and after the war serving as a Shihan Master (Metropolitan Police Department, Kokushikan, Waseda University, Imperial Police Department, Nihon University, Asia University, etc.) trained up his students and left a great mark on the modern world of Kendo.
We are considering to honor his great great-grandfather, the kenshi Goro Saimura, and would like to ensure to preserve and disseminate widely into the world, his spirit in pursuit of the essence of Kendo, which the late great-grandfather carried on.
The name 白雲 HakuーUn, comes from the dojo 'Hakuunkan’ which Goro Saimura is said to have built in the garden of his house in Setagaya, Tokyo, as his training ground.
The Academy has welcomed as its head with the Shodokan's third president, Morimasa Okada, 8th Dan, who is the current 3rd successor of the 85-year-old tradition Shodokan, and the grandson of Morihiro Okada Hanshi Master who founded Shodokan and studied under and was trained by Goro Saimura in the Metropolitan Police Department.
We will provide content and the community space for spreading and improving Kendo, based on the teachings of Saimura Goro, which have been passed down through three generations of the Okada family.
"The precious teachings of Goro Saimura Sensei" by Morihiro Okada.
From [The precepts of a hundred masters of modern Kendo]
Saimura Sensei, who was known as the "Master Swordsman (Ken Sei)", sadly passed away in 1969 (Showa 44), but he is an unforgettable Kendo teacher and role model /exemplar for my entire life. In 1923 (Taisho 12), I was commissioned as an officer in the Metropolitan Police Department, became an assistant in Kendo at the Metropolitan Police Department and in 1926 and spent 32 years under his tutelage and learned many valuable lessons.
One of the most memorable moments during that time was when I became a teacher in 1931 (Showa 6) and one day, 2
Sensei, probably by means of correcting my short distance maai Keiko, in the first half of the Keiko, he struck me when I raised my mind to attack, then after disengaged twice from the maai, he again struck me when I raised my mind to make further offensive move trying to enter into the maai, and was dragged around similarly like this repeatedly for 3-4 minutes which I couldn’t enter into the striking maai distance at all, and in the latter half of the Keiko, when I felt a little tired, Sensei boldly changed to the offensive mode and showed me altogether more than a dozen of model/exemplar techniques of striking "Men", "Kote", "Tsuki" from the “Issoku- Itou no maai” (maai with one step one sword), teaching me in detail how important the maai distance is, and unfortunately I couldn't hit even one strike back.
Even now, 23 years later, I can't forget how impressed I was by the essence/cardinal principle of the unity of mind, technique and body (心技体一致). When I thanked him after the practice, he persuaded to me, "This is the real Kendo, the silent education. Your left foot is side-stepping and your posture is not stable, which is why your maai is close and if you keep practicing like this, you will suddenly start declining sharply after the age of 60. Kendo is at its peak when you are in your 60s, and the limit is around 80. It is not too late for you to go back to the initial mind and redo the “Kiri-kaeshi” and “Uchikomi”.
Also, when I asked him if he had already mastered the MEN-technique, which is his strongest point, since he was a student, he told me remembering that time as follows;
"When I was a student at the Martial Arts Teacher Training School, I was a clumsy student, and was hated by my teachers. After graduation, I became an assistant professor at a Martial Arts College, and during a warrior training trip to the Tohoku region with my friend, I visited Madoka Tomiyama Sensei in Sendai and asked him to train myself. At that time, I wore a geta (Japanese wooden footwear), and due to the long journey, the bottom teeth of the geta was badly worn with an angle.
Seeing this, Tomiyama Sensei said, "The geta is reduced more on the outside like this. With this kind of reduction, I guess the footwork of yours, which is important, may not be sufficient.
This means that you are not even qualified yet to be trained by me. Please come back if the bottom of the geta will be worn flat horizontally.
He simply got rid of me like that. I took that as a valuable lesson came deeply into my heart, and since then I have been training my footwork exclusively."
Sensei also said the following;“At the age of 30, I moved to Tokyo and first studied the foot, waist, and palm movements of Iaido under Hakudo Nakayama Sensei,
and then applied them to Kendo, especially focusing on the MEN technique from the Chu-dan posture. The most important thing when performing a MEN-technique from the Chu-dan posture is, from the hitting maai distance, upon the opportunity, kick off your left foot, and step on your right foot, and at the same time, sharply rub in with lowering your left heel slightly down without remaining your leg and hip behind
Then, at the moment the technique is to be executed, extend both hands forward and, using the action of the palms, strike hard rubbing in from the forehead.
In Kendo, many people look splendid from the front, but only very few look splendid from the back. This is because of neglecting the stabilization of left leg and hip.
For those who study Kendo, the most important thing is to train the legs and the hips”.
Saimura-sensei was well known for his excellent posture and attitude in the dojo, but I strongly felt that the essence of his magnificent gait in everyday life and the excellent strikes which can rarely be seen were due to the fact that he had used the lessons of Tomiyama Sensei and Nakayama Sensei for his legs and hips throughout from the beginning to the end.
Per my teacher`s lessons, I continued to pay attention to my side-stepping foot and finally it became facing to the forward direction and was able to have nimbler in my footwork.
Although I have passed my 60th birthday and have little time left in my life, I would like to enjoy real Kendo with my legs and hips, which I have trained for many years through Iaido.
I dedicate this poem memorizing Saimura Sensei the day he was present.
交鋒威武露堂堂 英俊豪毅絶器量
德覆神州伝国粋 恩師遺訓放清光
岡田守弘著 齋村五郎先生の教訓『現代剣道百家箴』より
『現代剣道百家箴』は全日本剣道連盟設立20周年を記念し発行された図書です。
1964年の東京オリンピックでデモンストレーション競技として行われた日本剣道形
打太刀（右） 斎村五郎範士 － 仕太刀（左） 持田盛二範士
斎村五郎範士十段
国士舘大学（世田谷校舎）のすぐ裏手にある墓所（勝国寺）に建立された顕彰碑
尚道館に保管された顕彰碑の碑文の原稿
顕彰碑奉納協賛団体
"The precious teachings of Goro Saimura Sensei" by Morihiro Okada.
From [The precepts of a hundred masters of modern Kendo]
Saimura Sensei, who was known as the "Master Swordsman (Ken Sei)", sadly passed away in 1969 (Showa 44), but he is an unforgettable Kendo teacher and role model /exemplar for my entire life. In 1923 (Taisho 12), I was commissioned as an officer in the Metropolitan Police Department, became an assistant in Kendo at the Metropolitan Police Department and in 1926 and spent 32 years under his tutelage and learned many valuable lessons.
One of the most memorable moments during that time was when I became a teacher in 1931 (Showa 6) and one day, 2
Sensei, probably by means of correcting my short distance maai Keiko, in the first half of the Keiko, he struck me when I raised my mind to attack, then after disengaged twice from the maai, he again struck me when I raised my mind to make further offensive move trying to enter into the maai, and was dragged around similarly like this repeatedly for 3-4 minutes which I couldn’t enter into the striking maai distance at all, and in the latter half of the Keiko, when I felt a little tired, Sensei boldly changed to the offensive mode and showed me altogether more than a dozen of model/exemplar techniques of striking "Men", "Kote", "Tsuki" from the “Issoku- Itou no maai” (maai with one step one sword), teaching me in detail how important the maai distance is, and unfortunately I couldn't hit even one strike back.
Even now, 23 years later, I can't forget how impressed I was by the essence/cardinal principle of the unity of mind, technique and body (心技体一致). When I thanked him after the practice, he persuaded to me, "This is the real Kendo, the silent education. Your left foot is side-stepping and your posture is not stable, which is why your maai is close and if you keep practicing like this, you will suddenly start declining sharply after the age of 60. Kendo is at its peak when you are in your 60s, and the limit is around 80. It is not too late for you to go back to the initial mind and redo the “Kiri-kaeshi” and “Uchikomi”.
Also, when I asked him if he had already mastered the MEN-technique, which is his strongest point, since he was a student, he told me remembering that time as follows;
"When I was a student at the Martial Arts Teacher Training School, I was a clumsy student, and was hated by my teachers. After graduation, I became an assistant professor at a Martial Arts College, and during a warrior training trip to the Tohoku region with my friend, I visited Madoka Tomiyama Sensei in Sendai and asked him to train myself. At that time, I wore a geta (Japanese wooden footwear), and due to the long journey, the bottom teeth of the geta was badly worn with an angle.
Seeing this, Tomiyama Sensei said, "The geta is reduced more on the outside like this. With this kind of reduction, I guess the footwork of yours, which is important, may not be sufficient.
This means that you are not even qualified yet to be trained by me. Please come back if the bottom of the geta will be worn flat horizontally.
He simply got rid of me like that. I took that as a valuable lesson came deeply into my heart, and since then I have been training my footwork exclusively."
Sensei also said the following;“At the age of 30, I moved to Tokyo and first studied the foot, waist, and palm movements of Iaido under Hakudo Nakayama Sensei,
and then applied them to Kendo, especially focusing on the MEN technique from the Chu-dan posture. The most important thing when performing a MEN-technique from the Chu-dan posture is, from the hitting maai distance, upon the opportunity, kick off your left foot, and step on your right foot, and at the same time, sharply rub in with lowering your left heel slightly down without remaining your leg and hip behind
Then, at the moment the technique is to be executed, extend both hands forward and, using the action of the palms, strike hard rubbing in from the forehead.
In Kendo, many people look splendid from the front, but only very few look splendid from the back. This is because of neglecting the stabilization of left leg and hip.
For those who study Kendo, the most important thing is to train the legs and the hips”.
Saimura-sensei was well known for his excellent posture and attitude in the dojo, but I strongly felt that the essence of his magnificent gait in everyday life and the excellent strikes which can rarely be seen were due to the fact that he had used the lessons of Tomiyama Sensei and Nakayama Sensei for his legs and hips throughout from the beginning to the end.
Per my teacher`s lessons, I continued to pay attention to my side-stepping foot and finally it became facing to the forward direction and was able to have nimbler in my footwork.
Although I have passed my 60th birthday and have little time left in my life, I would like to enjoy real Kendo with my legs and hips, which I have trained for many years through Iaido.
I dedicate this poem memorizing Saimura Sensei the day he was present.
交鋒威武露堂堂 英俊豪毅絶器量
德覆神州伝国粋 恩師遺訓放清光
『現代剣道百家箴』は全日本剣道連盟設立20周年を記念し発行された図書です。
打太刀（右） 斎村五郎範士 － 仕太刀（左） 持田盛二範士